Renowned artist Viboyo Oweyo has shared his thoughts on the future of Ugandan music, his evolving artistic journey, and his commitment to creating music that resonates across generations.
Speaking to Canary Mugume during the Next Big Talk hosted by Next Radio on Friday, Viboyo, known for his unique blend of Afrobeat and hip-hop, as well as his annual Rap Ups, says he continues to be a leading figure in the Ugandan music scene.
Speaking candidly about his approach to music, Viboyo emphasised the importance of creating songs that appeal to both younger audiences and those older than him.
“When a person hears a familiar sound, even if they don’t know the song, they find themselves relating to it. It’s a trick to draw listeners in. I want to reach all listeners; the young and even those older than me. I create timeless music, whether it is played now or in the future,” he said.
Born Moses Nsubuga on February 14th, 1974, Viboyo’s desire to create music that transcends time and age speaks to his broader vision for Ugandan music.
He also discussed the challenge of defining a unique Ugandan sound, stating that while Uganda lacks a "definitive" musical identity, the blending of different influences—just as Afrobeats combines African rhythms with Caribbean sounds—is crucial for growth.
“We don’t have a definitive Ugandan sound. Every country has its local instruments, but even when you listen to Afrobeats, they blend their instruments with Caribbean influences," Viboyo said, underlining his belief in the power of fusion and experimentation.
The artist also took time to address the success of Kapeke’s hit song, "Tema Esingo," which has gained significant attention. Viboyo clarified that while the song has been widely appreciated, it should not be classified as a hip-hop track.
"Kapeke’s song 'Tema Esingo' is not a hip-hop song. It is a beautiful song and could have been Song of the Year, but not Hip-Hop Song of the Year, because we have rappers," he said.
His insight into the nuances of genre classification highlights his deep understanding of the industry and its evolving dynamics.
Viboyo’s music career began in 1997 with hip-hop, but by 2002, he shifted toward Afrobeat, releasing iconic songs like "Owino Muwulire."
His debut album Boyo’s Dream dropped in 2005, followed by Kiwundo Afilliationz (The Masterpiece) in 2014, and Desire in 2015.
His ability to seamlessly blend genres has kept him at the forefront of Uganda's music scene for over two decades.
In addition to his solo work, Viboyo has collaborated with some of Uganda’s biggest names, including Radio and Weasel on "Nyumbani," Cindy Sanyu on "Nyumirwa," Irene Ntale on "Banyilila," and St. Nelly Sade on his 2018 rap up. His 2019 rap up also featured Gnl Zamba.
Viboyo’s contributions to Ugandan music have earned him numerous accolades, including HiPipo Music Awards for Best Afropop Song in 2012, Buzz Teenies’ Best Collabo in 2012, and Best Afrobeat Song in 2013 for his hit "Love Me Love Me."